That’s one of those little ditties we all heard growing up… and it’s kind of true. There are those friends who, when you’ve hit that rough patch, will move hell and high water to make you smile. Who can find joy, even in the worst of times and somehow let it rub off on you. We loves them. We aspire to be one of them. But you’ll notice that those friends are far and few between. Most people will scatter to the wind, and let you deal with your stuff on your own and come back around when your mood is better and the world is righted. Because no one really wants to stand ringside for the bloody massacre – and in their cowardly defense, when you wallow in it and can’t find your joy, you become a psychic vampire who drags everyone around you down to your dark place. And most people can’t function and find joy with all of that.
On the surface, fiction seems like it works differently. (Doesn’t it always?) We look for high emotion, we strive to infuse every page with conflict and, of course, conflict suggests more pain than joy. But dig beneath the surface. Yeah, man, put your character through the paces, make his world crumble and make a good portion of it through his own faulty choices. Make him squirm. BUT – don’t let him whine about it. See, there’s the balance. It’s not the fact that the world is crumbling that makes us read, root, breathe it in – it’s the fact that this character is so extraordinary that he never lets it beat him.
There were a bunch of people who complained about the fifth Harry Potter book. The character went in a new and darker direction. Some of the battles he had already faced started wearing on him, compounded by the fact that he was a moody teenager. I think it was well done, because really, there’s no way that character got where he was and didn’t show signs of wear – it wouldn’t have felt right, and I think it was a good choice for the author altogether. BUT – she’d earned our attention through four previous novels of building this world and our relationship with these people. THAT wouldn’t have worked in a first novel. We wouldn’t have known him well enough. We would’ve thrown our hands up and said, “Get over it already!”
When someone tells me that something I wrote made them cry, I have to admit I get a little jolt of happy. Not because I made them sad, but because my words moved them. It’s not easy to move people armed with little more than your warped thoughts and manner of painting in language. And that’s the whole goal for me in writing, to bring the reader in and make them feel something; to know they walk away with a new perspective, a poetic phrase, a blooming thought to be dissected at their leisure. I want to do for them what a million writers before have done for me. It’s a lofty goal when you think about it.
Where life and fiction intersect is the place I think you have to keep your eyes on to do this. Fiction is high conflict. You’re barreling into all of the things you’d avoid in your real life. But fiction doesn’t whine (which you’d likely do if faced with some of the paces your characters go through). You can’t root for a character who takes to their bed and sobs. For the same reason many a fair weather friend will take a powder when you hit that patch in your real life – I told you it intersected. We follow characters who are in some way extraordinary. They don’t get through it unscathed, but they get through it without losing their spirit. They do things that we would never have the courage to do in our regular lives. But sometimes I think pulling a little bit of that chutzpah from your fiction and adopting it for yourself wouldn’t be such a bad idea, either.
Thoughts? Where does fiction and life intersect for you? What rules don’t apply to fiction but apply to life… and vice versa?
Saturday, February 26, 2011
Tuesday, February 01, 2011
So, it’s that time again… time to account for my Koala Challenge pointage for the month of January. I managed three…
I did the introduction comment at McKoala’s blog for 1 point. It was really kind of a freebie, but whatever, it’s mine, all mine!
I managed to finish and submit one regional parenting magazine article for 1 point.
And I managed to write, edit, gather critiques on, and re-edit the pitch for my query letter for 1 point.
I did write a bit of new fiction, but not enough for the point.
Normally, I’m really annoyed with myself when I do that little in a whole month. But when I sat down to look at where I was spending my time, it couldn’t be helped. I have literally spent no less than 30 hours each week looking through job postings, writing, re-writing and tweaking cover letters, submitting them to various companies, and filling out online employment applications. Outside of all that, I’ve been working through a temp service when they can get me office positions. I’m hoping one of those turns into a permanent position, or maybe one of my resumes/interviews lands me one. Oh, yeah, and then there’s the whole full-time parenting of three children, heading up the Band Contest Committee for the event coming up in a few weeks (which meant finding and scheduling 33 volunteers), and rebuilding my house with limited (read as no) funds. It is what it is. I need a regular, stable income. My kids need to be fed, taken care of, and watched over. And there’s only so much time in a day… I’ve tried to change that last one, but it’s not going over so well.
I’ve actually been looking for a job, off and on, for the past two years or so. It wasn’t so imperative then, I could make do with a little extra money freelance writing here and there, and budget out things at the time. But a number of people have said things along the lines of, “Oh, well what you really need is a creative writing position. You wouldn’t be happy in just any job.” Meaning that I wouldn’t be happy in office work, I’d guess, as that’s primarily what I’m looking for… it always strikes me as odd how people categorize you. First of all, those comments are almost always made from the standpoint of someone who’s never had something shut off because they couldn’t pay a bill. Seriously, any job is a good job if you enjoy it, work hard at it, and it allows you to live.
And, oddly enough, I like secretarial work. I do. I think the skills I’ve developed writing all translate awesomely to running or helping to run an office. Does that mean I’ll stop writing when I find a full time job? No. I won’t stop breathing, either. There are plenty of writers out there who are brilliant at what they do on the page, but it won’t pay the mortgage. I also tend to think that a career outside of writing gives you more experience and self to speak from when you do sit down at the keyboard. The trick is fitting it all in.
So how do you do it? Do you write full time or outside of your regular career and family obligations?